
It managed to take a rag-tag collection of rock stars (most of whom are not exactly known for their clean-living) and had them fashion a genuinely decent musical moment. The campaign was only made better by the fact that the money made was all for a good cause.
So, why did this year’s effort leave me feeling downright uncharitable? The rendition of God Only Knows is both musical and advertising butchery. Not only is it a pale imitation of 1997’s campaign, it takes a breezily masterful Beach Boys song and reduces it to the level of a bad primary school choir performance.
The 1997 ad had Lou Reed and this has One Direction – the decline in talent is painful to behold. The last thing I need to hear is the ridiculously be-quiffed boyband over emoting on what was a Sixties classic, or Florence Welsh doing her tired Pre-Raphaelite shtick in a staged forest. However, honourable mention has to go to Chrissie Hynde and Brian May for at least trying to inject some rockstar nonchalance.
On top of that I simply don’t like the aesthetic of the video this time round. The 1997 version had its own kind of lo-fi charm that looked humble and relatable. In contrast, this year’s offering looks like it cost a lot of money (some sources have it pegged at several million, though this is not confirmed). I wonder if the money would have been better spent elsewhere rather on this soul-less dirge.

For Children in Need’s sake, I hope that God Only Knows can outperform Perfect Day’s second effort and raise some much-needed funds for the charity. I will be donating despite the campaign, rather than because of it.
Mike Cavers is executive creative director at DST Global Insight Group (The GIG at DST)

